Tony Mullen's Bounce, Tumble, and Splash!: Simulating the Physical World PDF

By Tony Mullen

ISBN-10: 0470192801

ISBN-13: 9780470192801

Research all approximately Blender, the premiere open-source 3D software program, in leap, Tumble, and Splash!: Simulating the actual global with Blender 3D . you'll find step by step directions for utilizing Blender’s advanced gains and full-color visible examples with special descriptions of the procedures. If you’re a sophisticated Blender consumer, you'll take pleasure in the subtle insurance of Blender’s fluid simulation method, a evaluation Blender’s most modern good points, and a advisor to the Bullet physics engine, which handles a number of physics simulations similar to inflexible physique dynamics and rag doll physics.

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Extra resources for Bounce, Tumble, and Splash!: Simulating the Physical World with Blender 3D

Example text

Whereas the middle knight looks ghostly, the third knight looks like it is made of a real-world transparent material. The difference, as you can see, is mainly in the way the light from the background is distorted as it passes through the object, as it would be in real life. This distortion depends on the index of refraction (IOR) of the material. Denser materials have higher IORs. 4. The piece in the middle has ZTransp selected, and the one on the right has RayTransp selected. 18 Z transparency values To represent a material’s IOR, it is necessary to use ray tracing to follow the path of the light.

62. Map the texture to the Col value in Map To, and in Map Input make sure that UV is selected. 62 UV Mapping the blender-logo texture 3. Create a vertex group for the flag mesh by clicking New in the VertexGroups buttons, and name the vertex group PoleDamp. In a moment, you’ll use this vertex group to determine the intensity of the displacement modifier that will produce the flag’s ripples. Because the flag should be fixed at the pole, the intensity of the ripples will be zero at the pole. 63.

Qxd 10:15 AM Page 22 Note that in the case of the Sphere mapped image, only the top half of the background space is mapped with the image. The remainder is the default blue. The spherical mapping describes a hemisphere extending from the horizon to the zenith in the 3D space. Because this map is all sky, it is assumed to end at the horizon. If you use this mapping, you must set up your world to include or conceal the horizon, just as in real life. If you want to have the horizon in view, it may be better to map the sky image onto a mesh dome or tube, so that you have more control over where the horizon is in the camera view.

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Bounce, Tumble, and Splash!: Simulating the Physical World with Blender 3D by Tony Mullen


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