Read e-book online Character Emotion in 2D and 3D Animation PDF

By Les Pardew

ISBN-10: 1598633813

ISBN-13: 9781598633818

Easy methods to animate emotion on your characters and upload drama for your animation! personality Emotion in 2nd and 3D Animation offers particularly with physique language, facial expressions, emotional reactions, and different tools of giving characters emotion. It additionally offers with including emotion and drama to a scene or environment. A majority of animation books hide emotion as a facet point. personality emotion is a huge aspect that performs a necessary function within the believability of the nature. personality Emotion in second and 3D Animation deals accomplished insurance of the recommendations that could assist you create plausible emotion on your characters.

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Additional resources for Character Emotion in 2D and 3D Animation

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Close observation will show that there are unique characteristics to almost any emotion. When we react to an emotion, our reaction takes on these characteristics. While not every reaction will be the same, there will be similarities. As you explore the characteristics of each emotional reaction, you will start to notice that there is a flow or overall directional movement. This is very important to notice because the major flow of the body is the most likely aspect of body language for exaggeration, which we will get into in Chapter 4.

18. 18 Create an anticipation frame at frame 32. 19. Set the building frame at 36. 19 The character begins to crouch, ready to run away. 5 The key reaction frame is at frame 40. 20). 20 Set the key reaction frame at frame 40. 40 Emotional Transitions 6 Instead of immediately going to the let down phase, have the figure look around a little to make sure everything is okay. 22. 21 Have the character look around at the key reaction phase. 22 The look left takes more frames because the character has farther to travel.

14 The chosen pose is applied to the model. 21 Character Emotion in 2D and 3D Animation S T E P - B Y- S T E P This is a good pose to start from because it is more of a natural stance. What I want to do is change the pose so his right hand is resting on his hip. 15. 15 Raise the arm. 2 Twist the forearm so the palm of the hand is facing back. 16. 16 Bend the arm at the elbow. 17. 17 Bend the hand up so it can rest on the hip. 5 Place the hand on the character’s hip by twisting the upper arm and also bending it until it is in position.

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Character Emotion in 2D and 3D Animation by Les Pardew


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