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Extra resources for Digital Camera World (March 2005)
Uk First draw the light beams. With the Pen tool draw a series of closed paths on an angle from the upper left, touching the model’s face and shoulder. Make some wider than others and ensure the thinner ones are on the outside. Generate a selection from the series of paths. To ﬁll the rays, create a new layer, select a white foreground colour and the Linear Gradient tool. With the Gradient setting at Foreground to Transparent, draw a gradient inside the selection from top left to the bottom right.
Weaker strengths such as 250J and 125J are perfectly acceptable for head and shoulder portraits but they need to be used a little closer to your subject. The most expensive high-intensity ﬂash heads with strengths of 1,200J and above offer bright light capable of lighting a large room, together with ultra-fast recycling times. Low-power “A BASIC 500 JOULE FLASH HEAD OFFERS ENOUGH LIGHT INTENSITY FOR ALL TYPES OF STUDIO PORTRAIT” This atmospheric effect is created entirely by two studio ﬂash heads and several wellplaced reﬂectors 036 TEAM LinG - Live, Informative, Non-cost and Genuine!
Pocket snappers might like a pop-up ﬂash that you can rotate to bounce rather than dazzle. Or helpful tips info: a simple menu of advice for subjects such as metering for snow, portrait/landscape composition. Or password protection to deter theft. All these ideas and many more are already in use in other technologies, and affordable too. So please can you give the manufacturers a sense that they are not matching the creative imaginations of the people who use their cameras. Daniel Bee DCM We’ll certainly attempt to, Daniel.
Digital Camera World (March 2005)