By Amy Whitaker
An irreverent, hugely unique examine our rocky dating with museums and museums' rocky dating with us.
If you've ever thought of going to an artwork museum after which proposal, errr, I'll do anything else . . . If you've ever arrived and left a bit glazed and stressed . . . If you've ever suggestion, i would learn an eight-page article approximately artwork museums yet no longer an entire publication . . . Then this is often your story.
"Museum Legs"—taken from a time period for paintings fatigue—starts with a query: Why do humans lose interest and drained in artwork museums and why does that topic? As Whitaker writes during this funny and incisive selection of essays, museums subject for purposes that experience much less to do with paintings as we all know it and extra to do with company, politics, and the age-old query of ways to live.
Maybe the nice age of museums will but be a good age of creativity and hopeful danger in daily life.
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Additional resources for Museum Legs
It is strikingly beautiful in places—from an American frame of reference, it could be said to resemble the Pacific Northwest—but somehow devoid of color. The palette has a limited run from the dark greens of the firs, junipers, and spruce to the milky gray of the granite peaks. The lush green patchwork of the rice paddies so characteristic of the Asian countryside can be seen only during a few months of the summer rainy season. The autumn brings a brief flash of foliage. The rest of the year everything is yellow and brown, the color leached away and faded.
I wrote a series of articles for the Los Angeles Times that focused on former residents of Chongjin, a city located in the northernmost reaches of the country. I believed that I could verify facts more easily if I spoke to numerous people about one place. I wanted that place to be far from the well-manicured sights that the North Korean government shows to foreign visitors—even if it meant I would be writing about a place that was off limits. Chongjin is North Korea’s third-largest city and one of the places that were hardest hit by the famine of the mid-1990s.
The lush green patchwork of the rice paddies so characteristic of the Asian countryside can be seen only during a few months of the summer rainy season. The autumn brings a brief flash of foliage. The rest of the year everything is yellow and brown, the color leached away and faded. The clutter that you see in South Korea is entirely absent. There is almost no signage, few motor vehicles. Private ownership of cars is largely illegal, not that anyone can afford them. You seldom even see tractors, only scraggly oxen dragging plows.
Museum Legs by Amy Whitaker