By MARC DESPORTES
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Additional resources for Paysages en mouvement : Transports et perception de l'espace XVIIIe-XXe siecle
Bon-kei r e m a k i n g i n s i d e p l ac e s 37 9. Kobu was a popular art form in the Arkansas camps. Courtesy of the Rosalie Santine Gould Collection. 87 Freestanding wood sculptures were carved by camp crafters and placed on tables and shelves in the living units, and embroidered landscapes decorated rough barrack walls. Artwork created by imprisoned children were welcome additions to living units, with drawings and paintings sometimes covering entire sections of a wall. Internees marked holidays by creating special pieces of art.
Soldiers and imprisoned Japanese Americans, which resulted in the deaths of two internees and the wounding of nine others. After fourteen days of martial law, with armed guards patrolling the camp in jeeps mounted with machine guns and liberally using tear gas, segments of the traumatized population at Manzanar attempted to extract some level of normalcy by gathering scrap materials and creating Christmas decorations. Many internees spent their first days of “freedom” from martial law gently bending and then linking discarded toothbrush handles into rings to create colorful chains for encircling Christmas trees placed in all thirty-six mess halls.
100 Eddie Imasu made a wooden box from spare pieces of pine and then painted the front to look like a letter addressed to himself, including intricate drawings of a stamp and postmark. At the Tsukamotos’ living unit, internees working as mail deliverers were required to “punch the face of Hitler” before gaining access to an opening that accepted letters and packages. Another imprisoned Japanese American made a log cabin mailbox from small twigs, bamboo sticks, and pieces of rough bark. When completed, the door of the log cabin opened to accept letters, while the roof lifted to provide ample space for packages.
Paysages en mouvement : Transports et perception de l'espace XVIIIe-XXe siecle by MARC DESPORTES