By Gordon R. Dickson
Via no fault of his personal, the as soon as human Jim Eckert had turn into a dragon. regrettably, his liked Angie had remained human. yet during this magical land whatever may perhaps occur. To make topic worse, Angie were taken prisoner via an evil dragon and used to be held captive within the impenetrable Loathly Tower. So during this land the place people have been fit for human consumption and beasts have been magical—where spells labored and good judgment didn't—Jim Eckert had an incredible, unusual problem.
Originally released 1976 by means of Doubleday.
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Extra resources for The Dragon and the George (Dragon Knight, Book 1)
All of these attitudes, while understandable, probably contribute to the fact that there is little quality control in improv. A lot of talented people leave improvisation for other art forms because they ﬁnd a resistance to innovation or have to work with people who are poorly trained or who have bad habits, because the group is functioning more like a social club than a place for great creative expression or a home to develop great spontaneous comedy. It is possible that most of the innovators among us get dragged into the endless arguments over the purest form of the Harold and eventually leave, frustrated, to make a short ﬁlm or write a play.
What happened to us? One answer is: our education. We hope at least that your education was free because, wherever you got it, it has screwed you over and transformed you from someone who volunteered fearlessly and believed in your own creative abilities into someone who is unwilling to get up at all in case “you make a fool of yourself,” and who claims they “can’t” sing, dance, draw, act or speak in public and who has no imagination. When you’re at school, if the teacher tells the class to write an essay and everyone else is writing, and you’re just sitting there all Zen and relaxed, thinking about your essay, what will happen?
Over the pages which follow, we have described what would happen if you were in one of our workshops, often with a little more detail about what is going on “under the hood” than might be apparent if you were simply attending the class. Our hope is that this will be a useful manual for teachers and students, experienced improvisers and novices. If you are reading this book as someone who is new to teaching improv, we also highly recommend reading Impro by Keith Johnstone (a life-changing book for anyone).
The Dragon and the George (Dragon Knight, Book 1) by Gordon R. Dickson