By Timothy Scott Barker
Eschewing the conventional specialize in object/viewer spatial relationships, Timothy Scott Barker’s Time and the electronic stresses the function of the temporal in electronic paintings and media. The connectivity of up to date electronic interfaces has not just accelerated the relationships among as soon as separate areas yet has elevated the complexity of the temporal in approximately unimagined methods. Invoking the method philosophy of Whitehead and Deleuze, Barker strives for not anything below a brand new philosophy of time in electronic encounters, aesthetics, and interactivity.
Of curiosity to students within the fields of paintings and media concept and philosophy of know-how, in addition to new media artists, this research contributes to an knowing of the hot temporal reviews emergent in our interactions with electronic applied sciences.
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Additional info for Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time (Interfaces: Studies in Visual Culture)
35 The effect of this is a score that is discordant in time, that moves from tempo to tempo in a jarring f ashion, mo dulating the b eats in r hythm p atterns. These pie ces may either speed up or slow down at any moment, time s hifting from microbeat to microbeat, or may overlay one sound source in one tempo with another sound source in a different tempo. We can use multi-temporal music to begin thinking about databases and digital interactivity: when we interact with digital technology, we interact ac ross m ultiple t emporal r hythms.
In this chapter I position the database and its associated aesthetics in time by applying Whitehead’s process philosophy, specifically his theory of actual entities. Viewing t he d atabase t hrough t his f ramework, I de velop a t heory that highlights its temporal character, drawing together past events and carrying them into the present. Here the concept of multi-temporality is deployed in order to propose the time of the encounter with a database as a thickening duration in which multiple scales of time exist simultaneously.
All these processes take place w ithin t he a ssemblage of t he Internet. All of t hese pr ocesses ar e conditioned by the other processes that they connect to in this assemblage. And all of these processes direct the future becoming of the technological, social, and e conomic ensemble. Social demands change, new technologies emerge, and new companies start up. Some of the old companies go under, some old technologies become mediated by new ones, and s ome old s ocial prac tices are augmented by ne w me dia: all of t his Time and Process 33 happens in relation.
Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time (Interfaces: Studies in Visual Culture) by Timothy Scott Barker